In order for structural change to happen in the predominantly white publishing industry, innovation must happen at all levels, from the big five book publishers to literary magazines like ours. We recognize that if we want Black writers, Indigenous writers, and other writers of color to feel at home in Shenandoah, and for the literature we publish to be full of varied and passionate perspectives that enliven, empower, and engage all of us, we need to have representation at our core. With this in mind, we’re excited to announce a new initiative: The Shenandoah Fellowship for BIPOC Editors.

Through this editorial fellowship, we’re committed to expanding the roster of people we work with and to discovering new BIPOC voices to amplify and empower. Selected fellows will receive a $1000 honorarium and will curate a selection of published work in a genre of their choosing for a single issue of Shenandoah, working with the Shenandoah staff to guide the work to publication. This opportunity will give fellows the chance to learn about all aspects of a small literary publisher and forge connections with peers and potential future employers in the industry and in academia.

Requirements and Eligibility

A single fellow will be selected for each issue of Shenandoah going forward, alternating genres (fiction, nonfiction, poetry, comics) as we see fit. Fellows will choose two–three pieces of prose, five–ten poems, or two–three comic artists for their issue; these authors will be paid at the same rates as other Shenandoah authors ($100 per poem; $50 per comic panel; $100 for every thousand words of prose—for a maximum honorarium of $500 per author). Each fellow will receive a $1000 honorarium for their work. We welcome writers and editors of all experience levels. No previous editorial experience is necessary, but we are looking for applicants who are passionate and informed about the literary community. We welcome candidates who identify as Black, Indigenous, and People of Color.

The Application

Applications will be accepted on a rolling basis beginning November 1, 2020 at https://shenandoah.submittable.com/submit. Upload a single document that responds to these prompts separately:

  1. In 500 words or fewer, describe why this fellowship would be valuable to you, addressing what you think is the role and value of a literary magazine in the publishing ecosystem. Make sure to include your writing and editing experience and the genre you would be most excited to work in (fiction, nonfiction, poetry, comics).
  2. In 500 words or fewer, tell us about a favorite piece of writing you recently read in a literary magazine in your desired genre. Describe how you found it, who wrote it, its aesthetic attributes, and what you loved about it.
  3. In 500 words or fewer, compose a solicitation email to an emerging writer (who has published no more than one book) who you would love to work with. Include in your email what you admire about this writer’s work and why you would like to work with them.
  4. We'd love to know where you heard about this fellowship, if you don't mind sharing!

COMICS, considered by editor Chris Gavaler, can be in black and white or color and should be submitted as PDFs. He writes comics reviews monthly at PopMatters.com and blogs about comics weekly at thepatronsaintofsuperheroes.wordpress.com, if you’d like to know more about what he likes.

We’ll only consider one submission per author at a time (no multiple submissions in different genres, please), and will delete multiple submissions without reading them. Please decide what you’d like us to read most, submit that, and wait for a response before submitting additional work. Submitted work should be previously unpublished in English. Work simultaneously submitted elsewhere will be considered, but we ask that you withdraw the work immediately if it is accepted (and congratulations, by the way). 

TRANSLATIONS, considered by editor Seth Michelson, should be accompanied by a cover letter which explains the language you’re translating from and whether you’ve been in contact with the original author. Please include the original text with all translations in your submission. 

Please note that our window for accepting translation submissions never closes as a convenience to international submitters.

We’ll only consider one submission per author at a time (no multiple submissions in different genres, please), and will delete multiple submissions without reading them. Please decide what you’d like us to read most, submit that, and wait for a response before submitting additional work. Submitted work should be previously unpublished in English. Work simultaneously submitted elsewhere will be considered, but we ask that you withdraw the work immediately if it is accepted (and congratulations, by the way). 

Shenandoah